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India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country by area; the most populous country from June 2023 onwards; and since its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is near Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. (Full article...)

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  • Image 1 Prince Siddhārtha leaving the palace on a horse during the Great Renunciation. Deities support the hooves of the horse. Approximately 2nd century, India The Great Renunciation or Great Departure (Sanskrit: mahābhiniṣkramaṇa; Pali: mahābhinikkhamana) is the traditional term for the departure of Gautama Buddha (c. 563–c. 483 BCE) from his palace at Kapilavastu to live a life as an ascetic (Sanskrit: śrāmaṇa, Pali: sāmaṇa). It is called the Great Renunciation because it is regarded as a great sacrifice. Most accounts of this event can be found in post-canonical Buddhist texts from several Buddhist traditions, which are the most complete. These are, however, of a more mythological nature than the early texts. They exist in Pāli, Sanskrit and Chinese language. According to these accounts, at the birth of Prince Siddhārtha Gautama, the Buddha-to-be, brahmin priests predicted that he would either become a world teacher or a world ruler. To prevent his son from turning to religious life, Prince Siddhārtha's father and rāja of the Śākya clan Śuddhodana did not allow him to see death or suffering, and distracted him with luxury. During his childhood, Prince Siddhārtha had a meditative experience, which made him realize the suffering (Sanskrit: duḥkha, Pali: dukkha) inherent in all existence. He grew up and experienced a comfortable youth. But he continued to ponder about religious questions, and when he was 29 years old, he saw for the first time in his life what became known in Buddhism as the four sights: an old man, a sick person and a corpse, as well as an ascetic that inspired him. Shortly after, Prince Siddhārtha woke up at night and saw his female servants lying in unattractive poses, which shocked the prince. Moved by all the things he had experienced, the prince decided to leave the palace behind in the middle of the night against the will of his father, to live the life of an wandering ascetic, leaving behind his just-born son Rāhula and wife Yaśodharā. He traveled to the river Anomiya with his charioteer Chandaka and horse Kaṇṭhaka, and cut off his hair. Leaving his servant and horse behind, he journeyed into the woods and changed into monk's robes. Later, he met King Bimbisāra, who attempted to share his royal power with the former prince, but the now ascetic Gautama refused. (Full article...)
    Prince Siddhārtha leaving the palace on a horse during the Great Renunciation. Deities support the hooves of the horse. Approximately 2nd century, India

    The Great Renunciation or Great Departure (Sanskrit: mahābhiniṣkramaṇa; Pali: mahābhinikkhamana)
    is the traditional term for the departure of Gautama Buddha (c. 563–c. 483 BCE) from his palace at Kapilavastu to live a life as an ascetic (Sanskrit: śrāmaṇa, Pali: sāmaṇa). It is called the Great Renunciation because it is regarded as a great sacrifice. Most accounts of this event can be found in post-canonical Buddhist texts from several Buddhist traditions, which are the most complete. These are, however, of a more mythological nature than the early texts. They exist in Pāli, Sanskrit and Chinese language.

    According to these accounts, at the birth of Prince Siddhārtha Gautama, the Buddha-to-be, brahmin priests predicted that he would either become a world teacher or a world ruler. To prevent his son from turning to religious life, Prince Siddhārtha's father and rāja of the Śākya clan Śuddhodana did not allow him to see death or suffering, and distracted him with luxury. During his childhood, Prince Siddhārtha had a meditative experience, which made him realize the suffering (Sanskrit: duḥkha, Pali: dukkha) inherent in all existence. He grew up and experienced a comfortable youth. But he continued to ponder about religious questions, and when he was 29 years old, he saw for the first time in his life what became known in Buddhism as the four sights: an old man, a sick person and a corpse, as well as an ascetic that inspired him. Shortly after, Prince Siddhārtha woke up at night and saw his female servants lying in unattractive poses, which shocked the prince. Moved by all the things he had experienced, the prince decided to leave the palace behind in the middle of the night against the will of his father, to live the life of an wandering ascetic, leaving behind his just-born son Rāhula and wife Yaśodharā. He traveled to the river Anomiya with his charioteer Chandaka and horse Kaṇṭhaka, and cut off his hair. Leaving his servant and horse behind, he journeyed into the woods and changed into monk's robes. Later, he met King Bimbisāra, who attempted to share his royal power with the former prince, but the now ascetic Gautama refused. (Full article...)
  • Image 2 Pakeezah (Hindustani pronunciation: [ˈpaːkiːzaː]; transl. The Pure One) is a 1972 Indian musical romantic drama written, directed, and produced by Kamal Amrohi. The film stars Meena Kumari as the eponymous lead, alongside Ashok Kumar and Raaj Kumar. It tells the story of Sahibjaan, a Lucknow-based tawaif. While asleep on a train, Sahibjaan receives a note from a stranger praising her beauty. Later, evacuating from a broken boat, she takes shelter in a tent and finds out its owner, a forest ranger named Salim, wrote the letter. Sahibjaan and Salim plan to get married, causing conflicts with Sahibjaan's professional background. Amrohi, to whom Kumari was married, wanted to make a film dedicated to his wife; he began conceiving the story after the release of their collaborative film Daaera (1953). Production of the film lasted 15 years. Pakeezah's principal photography commenced in 1956 under the German cinematographer Josef Wirsching. The film faced many obstacles, particularly Kumari and Amrohi's separation in 1964 and Kumari's addiction to alcohol, which often made her unable to perform. After being postponed for many years, filming resumed in 1969 and finished in November 1971. The film's soundtrack, which became one of the highest-selling Bollywood soundtracks of the 1970s, was composed by Ghulam Mohammed and finished by Naushad, who also composed the background score. (Full article...)
    Pakeezah (Hindustani pronunciation: [ˈpaːkiːzaː]; transl. The Pure One) is a 1972 Indian musical romantic drama written, directed, and produced by Kamal Amrohi. The film stars Meena Kumari as the eponymous lead, alongside Ashok Kumar and Raaj Kumar. It tells the story of Sahibjaan, a Lucknow-based tawaif. While asleep on a train, Sahibjaan receives a note from a stranger praising her beauty. Later, evacuating from a broken boat, she takes shelter in a tent and finds out its owner, a forest ranger named Salim, wrote the letter. Sahibjaan and Salim plan to get married, causing conflicts with Sahibjaan's professional background.

    Amrohi, to whom Kumari was married, wanted to make a film dedicated to his wife; he began conceiving the story after the release of their collaborative film Daaera (1953). Production of the film lasted 15 years. Pakeezah's principal photography commenced in 1956 under the German cinematographer Josef Wirsching. The film faced many obstacles, particularly Kumari and Amrohi's separation in 1964 and Kumari's addiction to alcohol, which often made her unable to perform. After being postponed for many years, filming resumed in 1969 and finished in November 1971. The film's soundtrack, which became one of the highest-selling Bollywood soundtracks of the 1970s, was composed by Ghulam Mohammed and finished by Naushad, who also composed the background score. (Full article...)
  • Image 3 Witch hunts are still prevalent in India in the twenty-first century. Those who are labelled as witches are usually elderly or single women accused of manipulating supernatural forces with malicious intent. Witch branding occurs predominantly in rural, poorer areas of the country where there is often a higher concentration of tribal communities. Multiple factors can lead to a witchcraft accusation, ranging from crop failure, financial hardship, and the loss of livestock to the illness or death of family members. Accusations are often instigated to serve ulterior motives like grabbing the land and property of a 'witch', settling personal grudges or even as a punishment for turning down sexual advances. There are also deeper underlying causes of witch hunting, primarily a lack of education and basic social benefits, particularly healthcare. (Full article...)
    Witch hunts are still prevalent in India in the twenty-first century. Those who are labelled as witches are usually elderly or single women accused of manipulating supernatural forces with malicious intent. Witch branding occurs predominantly in rural, poorer areas of the country where there is often a higher concentration of tribal communities.

    Multiple factors can lead to a witchcraft accusation, ranging from crop failure, financial hardship, and the loss of livestock to the illness or death of family members. Accusations are often instigated to serve ulterior motives like grabbing the land and property of a 'witch', settling personal grudges or even as a punishment for turning down sexual advances. There are also deeper underlying causes of witch hunting, primarily a lack of education and basic social benefits, particularly healthcare. (Full article...)
  • Image 4 The Dirty Picture is a 2011 Indian Hindi-language musical drama film inspired by the life of Silk Smitha, an Indian actress noted for her erotic roles. The filmmakers have clarified that the story is not officially or literally based on Smitha alone, but on many of her contemporaries such as Disco Shanti. It also resembles the personal lives of other women in popular culture, including actress and sex symbol Marilyn Monroe. The film was directed by Milan Luthria and co-produced by Shobha Kapoor and Ekta Kapoor, after Ekta came up with the idea and asked screenwriter Rajat Aroraa to pen a story based on it. Produced on a budget of ₹18 crore (US$2.1 million), The Dirty Picture was released worldwide on 2 December 2011 (the anniversary of Smitha's birth), in Hindi, Telugu and Tamil versions. Vidya Balan, Emraan Hashmi, Naseeruddin Shah and Tusshar Kapoor star in lead roles. Upon release, it was a critical and commercial success, with Balan's performance receiving widespread critical acclaim and numerous accolades; she was called "the hero of the film". In addition, the film has received high praise for portraying women as powerful, contributing something unique to a typically male-dominated society. The film's soundtrack, composed by Vishal–Shekhar with lyrics written by Rajat Aroraa, also became a commercial success with the song "Ooh La La" become one of the chartbusters of the year. (Full article...)
    The Dirty Picture is a 2011 Indian Hindi-language musical drama film inspired by the life of Silk Smitha, an Indian actress noted for her erotic roles. The filmmakers have clarified that the story is not officially or literally based on Smitha alone, but on many of her contemporaries such as Disco Shanti. It also resembles the personal lives of other women in popular culture, including actress and sex symbol Marilyn Monroe. The film was directed by Milan Luthria and co-produced by Shobha Kapoor and Ekta Kapoor, after Ekta came up with the idea and asked screenwriter Rajat Aroraa to pen a story based on it.

    Produced on a budget of ₹18 crore (US$2.1 million), The Dirty Picture was released worldwide on 2 December 2011 (the anniversary of Smitha's birth), in Hindi, Telugu and Tamil versions. Vidya Balan, Emraan Hashmi, Naseeruddin Shah and Tusshar Kapoor star in lead roles. Upon release, it was a critical and commercial success, with Balan's performance receiving widespread critical acclaim and numerous accolades; she was called "the hero of the film". In addition, the film has received high praise for portraying women as powerful, contributing something unique to a typically male-dominated society. The film's soundtrack, composed by Vishal–Shekhar with lyrics written by Rajat Aroraa, also became a commercial success with the song "Ooh La La" become one of the chartbusters of the year. (Full article...)
  • Image 5 Mohini on a swing by Raja Ravi Varma Mohini (Sanskrit: मोहिनी, Mohinī) is the Hindu goddess of enchantment. She is the only female avatar of the Hindu god Vishnu. She is portrayed as a femme fatale, an enchantress, who maddens lovers and demons, sometimes leading them to their doom. Mohini is introduced into Hinduism in the narrative epic of the Mahabharata. Here, she appears as a form of Vishnu following the Churning of the Ocean, a mesmerising beauty who distributes the amrita (the elixir of immortality) to the weakened devas (gods) and depriving it to the dominant asuras (demons), allowing the former to defeat the latter with their newfound immortality. Many different legends tell of her various exploits and marriages, including her union with the god Shiva. These tales relate, among other things, the birth of the god Shasta and the destruction of Bhasmasura, the ash-demon. Mohini's main modus operandi is to trick or beguile those she encounters. She is worshipped throughout Indian culture, but mainly in Western India, where temples are devoted to her depicted as Mahalasa, the consort of Khandoba, a regional avatar of Shiva. (Full article...)

    Mohini on a swing by Raja Ravi Varma

    Mohini (Sanskrit: मोहिनी, Mohinī) is the Hindu goddess of enchantment. She is the only female avatar of the Hindu god Vishnu. She is portrayed as a femme fatale, an enchantress, who maddens lovers and demons, sometimes leading them to their doom. Mohini is introduced into Hinduism in the narrative epic of the Mahabharata. Here, she appears as a form of Vishnu following the Churning of the Ocean, a mesmerising beauty who distributes the amrita (the elixir of immortality) to the weakened devas (gods) and depriving it to the dominant asuras (demons), allowing the former to defeat the latter with their newfound immortality.

    Many different legends tell of her various exploits and marriages, including her union with the god Shiva. These tales relate, among other things, the birth of the god Shasta and the destruction of Bhasmasura, the ash-demon. Mohini's main modus operandi is to trick or beguile those she encounters. She is worshipped throughout Indian culture, but mainly in Western India, where temples are devoted to her depicted as Mahalasa, the consort of Khandoba, a regional avatar of Shiva. (Full article...)
  • Image 6 AK vs AK is a 2020 Indian Hindi-language black comedy thriller film directed by Vikramaditya Motwane and is the first release under his banner Andolan Films. Anurag Kashyap, the executive producer and dialogue writer, also stars alongside Anil Kapoor as the title characters with Harshvardhan Kapoor and debutante Yogita Bihani in pivotal roles. The story, written by Avinash Sampath, utilises a film-within-a-film narrative where the main actors play fictionalised versions of themselves. After a public feud between Kashyap, an eccentric film director, and Anil Kapoor, an ageing film star, the former kidnaps the latter's daughter (Sonam Kapoor Ahuja) and forces Kapoor to search for her while his assistant (Bihani) films them as part of his next project, with most of the film shown from the perspective of her camera. (Full article...)
    AK vs AK is a 2020 Indian Hindi-language black comedy thriller film directed by Vikramaditya Motwane and is the first release under his banner Andolan Films. Anurag Kashyap, the executive producer and dialogue writer, also stars alongside Anil Kapoor as the title characters with Harshvardhan Kapoor and debutante Yogita Bihani in pivotal roles.

    The story, written by Avinash Sampath, utilises a film-within-a-film narrative where the main actors play fictionalised versions of themselves. After a public feud between Kashyap, an eccentric film director, and Anil Kapoor, an ageing film star, the former kidnaps the latter's daughter (Sonam Kapoor Ahuja) and forces Kapoor to search for her while his assistant (Bihani) films them as part of his next project, with most of the film shown from the perspective of her camera. (Full article...)
  • Image 7 Gurkha paratroopers check their equipment before being dropped on a series of strategic points around Rangoon The Battle of Elephant Point was an airborne operation at the mouth of the Rangoon River conducted by a composite Gurkha airborne battalion that took place on 1 May 1945. In March 1945, plans were made for an assault on Rangoon, the capital of Burma, as a stepping-stone on the way to recapturing Malaya and Singapore. Initial plans for the assault on the city had called for a purely land-based approach by British Fourteenth Army, but concerns about heavy Japanese resistance led to this being modified with the addition of a joint amphibious-airborne assault. This assault, led by 26th Indian Division, would sail up the Rangoon River, but before it could do so, the river would have to be cleared of Japanese and British mines. In order to achieve this, coastal defences along the river would have to be neutralized, including a battery at Elephant Point. This task was given to the 44th Indian Airborne Division. However, as the division was in the middle of a reorganisation, a composite battalion was formed from two Gurkha parachute battalions. The battalion assembled and trained throughout April, and was then dropped near Elephant Point early in the morning of 1 May. As it advanced towards the battery one of the battalion's companies was attacked by American bombers, causing a number of casualties. Despite this friendly fire incident, and torrential rain, the battalion successfully assaulted Elephant Point, neutralising the battery there after a fierce firefight. The battalion held the area around Elephant Point until 2 May, when the 26th Indian Division conducted its amphibious assault up the river and secured Rangoon. (Full article...)

    Gurkha paratroopers check their equipment before being dropped on a series of strategic points around Rangoon

    The Battle of Elephant Point was an airborne operation at the mouth of the Rangoon River conducted by a composite Gurkha airborne battalion that took place on 1 May 1945. In March 1945, plans were made for an assault on Rangoon, the capital of Burma, as a stepping-stone on the way to recapturing Malaya and Singapore. Initial plans for the assault on the city had called for a purely land-based approach by British Fourteenth Army, but concerns about heavy Japanese resistance led to this being modified with the addition of a joint amphibious-airborne assault. This assault, led by 26th Indian Division, would sail up the Rangoon River, but before it could do so, the river would have to be cleared of Japanese and British mines. In order to achieve this, coastal defences along the river would have to be neutralized, including a battery at Elephant Point.

    This task was given to the 44th Indian Airborne Division. However, as the division was in the middle of a reorganisation, a composite battalion was formed from two Gurkha parachute battalions. The battalion assembled and trained throughout April, and was then dropped near Elephant Point early in the morning of 1 May. As it advanced towards the battery one of the battalion's companies was attacked by American bombers, causing a number of casualties. Despite this friendly fire incident, and torrential rain, the battalion successfully assaulted Elephant Point, neutralising the battery there after a fierce firefight. The battalion held the area around Elephant Point until 2 May, when the 26th Indian Division conducted its amphibious assault up the river and secured Rangoon. (Full article...)
  • Image 8 The 2015–16 season was the third in the history of Bengaluru Football Club. It began on 1 June 2015 and concluded on 31 May 2016, with competitive matches occurring between January and May. The club ended their I-League campaign as champions for the second time, only winning by two points ahead of second placed Mohun Bagan. In the Federation Cup, Bengaluru were eliminated early in the first round, suffering defeat to Aizawl. In the AFC Cup, Bengaluru managed to make it past the Round of 16, defeating Kitchee. The victory had qualified the club for the quarter-finals which would take place the next season. Prior to the start of the season, Bengaluru were very active making squad changes. Players who have been with the club since their first season such as Sean Rooney and domestic players Darren Caldeira, Malemngamba Meitei, Pawan Kumar, and Robin Singh left after their contracts expired. Club captain Sunil Chhetri and midfielder Thoi Singh had also left the club for Indian Super League clubs Mumbai City and Chennaiyin respectively. Both would return on loan after the 2015 ISL season. Forward Kim Song-yong was signed by head coach Ashley Westwood to replace Rooney. Midfielder Michael Collins was signed a couple weeks after the start of the I-League season as an injury replacement to Josh Walker. Indian youth internationals Amrinder Singh and Seiminlen Doungel were also brought in by Westwood, alongside young prospects Daniel Lalhlimpuia, Malsawmzuala, and Nishu Kumar from the AIFF Elite Academy. (Full article...)
    The 2015–16 season was the third in the history of Bengaluru Football Club. It began on 1 June 2015 and concluded on 31 May 2016, with competitive matches occurring between January and May. The club ended their I-League campaign as champions for the second time, only winning by two points ahead of second placed Mohun Bagan. In the Federation Cup, Bengaluru were eliminated early in the first round, suffering defeat to Aizawl. In the AFC Cup, Bengaluru managed to make it past the Round of 16, defeating Kitchee. The victory had qualified the club for the quarter-finals which would take place the next season.

    Prior to the start of the season, Bengaluru were very active making squad changes. Players who have been with the club since their first season such as Sean Rooney and domestic players Darren Caldeira, Malemngamba Meitei, Pawan Kumar, and Robin Singh left after their contracts expired. Club captain Sunil Chhetri and midfielder Thoi Singh had also left the club for Indian Super League clubs Mumbai City and Chennaiyin respectively. Both would return on loan after the 2015 ISL season. Forward Kim Song-yong was signed by head coach Ashley Westwood to replace Rooney. Midfielder Michael Collins was signed a couple weeks after the start of the I-League season as an injury replacement to Josh Walker. Indian youth internationals Amrinder Singh and Seiminlen Doungel were also brought in by Westwood, alongside young prospects Daniel Lalhlimpuia, Malsawmzuala, and Nishu Kumar from the AIFF Elite Academy. (Full article...)
  • Image 9 Mohabbatein (transl. Romances) is a 2000 Indian Hindi-language musical romantic drama film written and directed by Aditya Chopra and produced by Yash Chopra under his banner Yash Raj Films. The film stars Amitabh Bachchan with Shah Rukh Khan and Aishwarya Rai alongside newcomers Uday Chopra, Shamita Shetty, Jugal Hansraj, Kim Sharma, Jimmy Sheirgill, and Preeti Jhangiani, and narrates the story of Narayan, the strict principal of Gurukul college whose daughter, Megha, commits suicide after he opposes her relationship with his student, Raj, who returns as a music teacher at the college to aid three young students rebel against Narayan's intolerance of love. Originally planned to be Aditya Chopra's directorial debut, Mohabbatein became his second film after Dilwale Dulhania Le Jayenge (1995). Its themes were inspired by those from the 1989 American coming-of-age drama Dead Poets Society. The principal photography of Mohabbatein, which was filmed in the United Kingdom, was handled by Manmohan Singh between October 1999 and July 2000. Sharmishta Roy and Karan Johar built the sets and designed the costumes, respectively. The duo Jatin–Lalit composed its music while Anand Bakshi wrote the lyrics. (Full article...)
    Mohabbatein (transl. Romances) is a 2000 Indian Hindi-language musical romantic drama film written and directed by Aditya Chopra and produced by Yash Chopra under his banner Yash Raj Films. The film stars Amitabh Bachchan with Shah Rukh Khan and Aishwarya Rai alongside newcomers Uday Chopra, Shamita Shetty, Jugal Hansraj, Kim Sharma, Jimmy Sheirgill, and Preeti Jhangiani, and narrates the story of Narayan, the strict principal of Gurukul college whose daughter, Megha, commits suicide after he opposes her relationship with his student, Raj, who returns as a music teacher at the college to aid three young students rebel against Narayan's intolerance of love.

    Originally planned to be Aditya Chopra's directorial debut, Mohabbatein became his second film after Dilwale Dulhania Le Jayenge (1995). Its themes were inspired by those from the 1989 American coming-of-age drama Dead Poets Society. The principal photography of Mohabbatein, which was filmed in the United Kingdom, was handled by Manmohan Singh between October 1999 and July 2000. Sharmishta Roy and Karan Johar built the sets and designed the costumes, respectively. The duo Jatin–Lalit composed its music while Anand Bakshi wrote the lyrics. (Full article...)
  • Image 10 Budha (Mercury) with consort Ilā Ila (Sanskrit: इल) or Ilā (Sanskrit: इला) is a deity in Hindu legends, known for their sex changes. As a man, he is known as Ila or Sudyumna and as a woman, is called Ilā. Ilā is considered the chief progenitor of the Lunar dynasty of Indian kings – also known as the Aillas ("descendants of Ilā"). While many versions of the tale exist, Ila is usually described as a daughter or son of Vaivasvata Manu and thus the sibling of Ikshvaku, the founder of the Solar Dynasty. In versions in which Ila is born female, she changes into a male form by divine grace soon after her birth. After mistakenly entering a sacred grove as an adult, Ila is either cursed to change his/her gender every month or cursed to become a woman. As a woman, Ilā married Budha, the god of the planet Mercury and the son of the lunar deity Chandra (Soma), and bore him a son called Pururavas, the father of the Lunar dynasty. After the birth of Pururavas, Ilā has transformed into a man again and fathered three sons. (Full article...)

    Budha (Mercury) with consort Ilā

    Ila (Sanskrit: इल) or Ilā (Sanskrit: इला) is a deity in Hindu legends, known for their sex changes. As a man, he is known as Ila or Sudyumna and as a woman, is called Ilā. Ilā is considered the chief progenitor of the Lunar dynasty of Indian kings – also known as the Aillas ("descendants of Ilā").

    While many versions of the tale exist, Ila is usually described as a daughter or son of Vaivasvata Manu and thus the sibling of Ikshvaku, the founder of the Solar Dynasty. In versions in which Ila is born female, she changes into a male form by divine grace soon after her birth. After mistakenly entering a sacred grove as an adult, Ila is either cursed to change his/her gender every month or cursed to become a woman. As a woman, Ilā married Budha, the god of the planet Mercury and the son of the lunar deity Chandra (Soma), and bore him a son called Pururavas, the father of the Lunar dynasty. After the birth of Pururavas, Ilā has transformed into a man again and fathered three sons. (Full article...)
  • Image 11 Rock-cut Hindu temples of Masrur The Masrur Temples, also referred to as Masroor Temples or Rock-cut Temples at Masrur, is an early 8th-century complex of rock-cut Hindu temples in the Kangra Valley of Beas River in Himachal Pradesh, India. The temples face northeast, towards the Dhauladhar range of the Himalayas. They are a version of North Indian Nagara architecture style, dedicated to Shiva, Vishnu, Devi and Saura traditions of Hinduism, with its surviving iconography likely inspired by a henotheistic framework. Though a major temples complex in the surviving form, the archaeological studies suggest that the artists and architects had a far more ambitious plan and the complex remains incomplete. Much of the Masrur's temple's sculpture and reliefs have been lost. They were also quite damaged, most likely from earthquakes. (Full article...)

    Rock-cut Hindu temples of Masrur

    The Masrur Temples, also referred to as Masroor Temples or Rock-cut Temples at Masrur, is an early 8th-century complex of rock-cut Hindu temples in the Kangra Valley of Beas River in Himachal Pradesh, India. The temples face northeast, towards the Dhauladhar range of the Himalayas. They are a version of North Indian Nagara architecture style, dedicated to Shiva, Vishnu, Devi and Saura traditions of Hinduism, with its surviving iconography likely inspired by a henotheistic framework.

    Though a major temples complex in the surviving form, the archaeological studies suggest that the artists and architects had a far more ambitious plan and the complex remains incomplete. Much of the Masrur's temple's sculpture and reliefs have been lost. They were also quite damaged, most likely from earthquakes. (Full article...)
  • Image 12 Bumrah in 2024 Jasprit Jasbirsingh Bumrah (Punjabi: [dʒəsˈpɾiːt̪ bʊmˈɾaː]; born 6 December 1993) is an Indian cricketer who plays for the national team in all formats of the game. He is the vice-captain of India in the Test format and has captained India in Tests and T20Is. A right-arm fast bowler, Bumrah plays for Gujarat in domestic cricket and for Mumbai Indians in the Indian Premier League. Bumrah was a crucial member of the Indian team that won the 2024 T20 World Cup, where he was named the Player of the Tournament for taking 15 wickets with an average economy of 4.17. Among Indian fast bowlers, he took 200 wickets in the fewest matches and reached 100 wickets in ODI cricket in the second-shortest time, in terms of matches played. He is the first bowler to have achieved the number one ranking in the ICC men's player rankings in all three formats of the game. He also holds the record of scoring the highest number of runs in an over in Test cricket. He achieved this feat against Stuart Broad. (Full article...)

    Bumrah in 2024

    Jasprit Jasbirsingh Bumrah (Punjabi: [dʒəsˈpɾiːt̪ bʊmˈɾaː]; born 6 December 1993) is an Indian cricketer who plays for the national team in all formats of the game. He is the vice-captain of India in the Test format and has captained India in Tests and T20Is. A right-arm fast bowler, Bumrah plays for Gujarat in domestic cricket and for Mumbai Indians in the Indian Premier League. Bumrah was a crucial member of the Indian team that won the 2024 T20 World Cup, where he was named the Player of the Tournament for taking 15 wickets with an average economy of 4.17.

    Among Indian fast bowlers, he took 200 wickets in the fewest matches and reached 100 wickets in ODI cricket in the second-shortest time, in terms of matches played. He is the first bowler to have achieved the number one ranking in the ICC men's player rankings in all three formats of the game. He also holds the record of scoring the highest number of runs in an over in Test cricket. He achieved this feat against Stuart Broad. (Full article...)
  • Image 13 Kane Williamson was appointed as the captain of Sunrisers for 2018 IPL Sunrisers Hyderabad (SRH) are a franchise cricket team based in Hyderabad, Telangana, India, which plays in the Indian Premier League (IPL). They were one of the eight teams that competed in the 2018 Indian Premier League, making their sixth appearance in all IPL tournaments. The team was captained by Kane Williamson and coached by Tom Moody with Simon Helmot as assistant coach, Muttiah Muralitharan as bowling coach and V. V. S. Laxman as mentor. They began their season by winning their opening fixture on 9 April, and went on to become the first team to qualify for the play-offs on 10 May. They beat the Kolkata Knight Riders in Qualifier 2 to reach the Final where they lost to the Chennai Super Kings by eight wickets to finish the season as runners-up. Williamson won the Orange Cap for scoring 735 runs in the IPL season. (Full article...)
    A man playing a shot wearing New Zealand Test jersey
    Kane Williamson was appointed as the captain of Sunrisers for 2018 IPL

    Sunrisers Hyderabad (SRH) are a franchise cricket team based in Hyderabad, Telangana, India, which plays in the Indian Premier League (IPL). They were one of the eight teams that competed in the 2018 Indian Premier League, making their sixth appearance in all IPL tournaments. The team was captained by Kane Williamson and coached by Tom Moody with Simon Helmot as assistant coach, Muttiah Muralitharan as bowling coach and V. V. S. Laxman as mentor.

    They began their season by winning their opening fixture on 9 April, and went on to become the first team to qualify for the play-offs on 10 May. They beat the Kolkata Knight Riders in Qualifier 2 to reach the Final where they lost to the Chennai Super Kings by eight wickets to finish the season as runners-up. Williamson won the Orange Cap for scoring 735 runs in the IPL season. (Full article...)
  • Image 14 1990 Andhra Pradesh cyclone The 1990 Andhra Pradesh cyclone was the worst disaster to affect Southern India since the 1977 Andhra Pradesh cyclone. The system was first noted as a depression on 4 May 1990, while it was located over the Bay of Bengal about 600 km (375 mi) to the southeast of Chennai, India. During the next day the depression intensified into a cyclonic storm and started to intensify rapidly, becoming a super cyclonic storm early on 8 May. The cyclone weakened slightly before it made landfall on India about 300 km (190 mi) to the north of Madras in the Tamil Nadu state as a very severe cyclonic storm with winds of 165 km/h (105 mph). While over land the cyclone gradually dissipated. The cyclone had a severe impact on India, with over 967 people reported to have been killed. Over 100,000 animals also died in the cyclone with the total cost of damages to crops estimated at over $600 million (1990 USD). (Full article...)

    1990 Andhra Pradesh cyclone

    The 1990 Andhra Pradesh cyclone was the worst disaster to affect Southern India since the 1977 Andhra Pradesh cyclone. The system was first noted as a depression on 4 May 1990, while it was located over the Bay of Bengal about 600 km (375 mi) to the southeast of Chennai, India. During the next day the depression intensified into a cyclonic storm and started to intensify rapidly, becoming a super cyclonic storm early on 8 May. The cyclone weakened slightly before it made landfall on India about 300 km (190 mi) to the north of Madras in the Tamil Nadu state as a very severe cyclonic storm with winds of 165 km/h (105 mph). While over land the cyclone gradually dissipated. The cyclone had a severe impact on India, with over 967 people reported to have been killed. Over 100,000 animals also died in the cyclone with the total cost of damages to crops estimated at over $600 million (1990 USD). (Full article...)
  • Image 15 Mullum Malarum (transl. 'The Thorn and the Flower' or 'Even a Thorn Will Bloom'; pronounced [muɭɭum maɭaɾum]) is a 1978 Indian Tamil-language drama film written and directed by Mahendran. Produced by Venu Chettiar and V. Mohan, the film stars Rajinikanth, Sarath Babu, Jayalaxmi and Shoba. It marks Mahendran's directorial debut and is partly based on Uma Chandran's novel of the same name, which was serialised in the Tamil magazine Kalki in 1966. Mullum Malarum tells the story of Kali (Rajinikanth), a winch operator of a cable trolley who dotes on his sister Valli (Shoba) since they were orphaned, and clashes with his boss Kumaran (Sarath Babu). Mahendran read only part of the novel, and developed the screenplay as he wanted, making a visually-focused film without formulaic Tamil cinema conventions he disliked such as melodrama, overacting, excessive dialogue and duets. Since Mahendran had no previous directing experience, cinematographer Balu Mahendra, who was already an established director, assisted him with the screenplay, dialogue, camera angles, casting and editing. Principal photography lasted for about 30 days, taking place primarily in Sringeri, Karnataka, though some scenes were also filmed in Ooty, Tamil Nadu. The film was edited by D. Vasu, and the soundtrack was composed by Ilaiyaraaja. (Full article...)
    Mullum Malarum (transl. 'The Thorn and the Flower' or 'Even a Thorn Will Bloom'; pronounced [muɭɭum maɭaɾum]) is a 1978 Indian Tamil-language drama film written and directed by Mahendran. Produced by Venu Chettiar and V. Mohan, the film stars Rajinikanth, Sarath Babu, Jayalaxmi and Shoba. It marks Mahendran's directorial debut and is partly based on Uma Chandran's novel of the same name, which was serialised in the Tamil magazine Kalki in 1966. Mullum Malarum tells the story of Kali (Rajinikanth), a winch operator of a cable trolley who dotes on his sister Valli (Shoba) since they were orphaned, and clashes with his boss Kumaran (Sarath Babu).

    Mahendran read only part of the novel, and developed the screenplay as he wanted, making a visually-focused film without formulaic Tamil cinema conventions he disliked such as melodrama, overacting, excessive dialogue and duets. Since Mahendran had no previous directing experience, cinematographer Balu Mahendra, who was already an established director, assisted him with the screenplay, dialogue, camera angles, casting and editing. Principal photography lasted for about 30 days, taking place primarily in Sringeri, Karnataka, though some scenes were also filmed in Ooty, Tamil Nadu. The film was edited by D. Vasu, and the soundtrack was composed by Ilaiyaraaja. (Full article...)
  • Image 16 The Ross Island Prison Headquarters, 1872 Ross Island Penal Colony was a convict settlement that was established in 1858 in the remote Andaman Islands by the British colonial government in India, primarily to jail a large number of prisoners from the Indian Rebellion of 1857, also known as the Indian Mutiny. With the establishment of the penal colony at Ross Island, the British administration made it the administrative headquarters for the entire group of Andaman and Nicobar Islands and built bungalows and other facilities on the site. This colony was meant as "manageable models of colonial governance and rehabilitation". The Chief Commissioner's residence was located at the highest point on the island. Over time, several other islands including Chatham and Viper were used for the penal colony. The penal colony became infamous as "Kalapani" or "black water" for the brutalities inflicted by the British authorities on the political prisoners from India, and most of whom had died by 1860 due to illness and torture suffered during the initial stages of the clearance of the forest to establish the colony. In later years the colony experimented for a short time with civilizing the indigenous people of Andamans. The penal colony was used as an experimental station for various methods of torture and medical tests During World War II, the island was invaded by the Japanese army, forcing the British to evacuate. The administrative buildings were destroyed but the penal colony remained. After the Allied forces reoccupied the island the penal colony was disbanded on 7 October 1945. (Full article...)
    The Ross Island Prison Headquarters, 1872

    Ross Island Penal Colony was a convict settlement that was established in 1858 in the remote Andaman Islands by the British colonial government in India, primarily to jail a large number of prisoners from the Indian Rebellion of 1857, also known as the Indian Mutiny. With the establishment of the penal colony at Ross Island, the British administration made it the administrative headquarters for the entire group of Andaman and Nicobar Islands and built bungalows and other facilities on the site. This colony was meant as "manageable models of colonial governance and rehabilitation". The Chief Commissioner's residence was located at the highest point on the island. Over time, several other islands including Chatham and Viper were used for the penal colony.

    The penal colony became infamous as "Kalapani" or "black water" for the brutalities inflicted by the British authorities on the political prisoners from India, and most of whom had died by 1860 due to illness and torture suffered during the initial stages of the clearance of the forest to establish the colony. In later years the colony experimented for a short time with civilizing the indigenous people of Andamans. The penal colony was used as an experimental station for various methods of torture and medical tests During World War II, the island was invaded by the Japanese army, forcing the British to evacuate. The administrative buildings were destroyed but the penal colony remained. After the Allied forces reoccupied the island the penal colony was disbanded on 7 October 1945. (Full article...)
  • Image 17 Clockwise from top left: view of Tiruvannamalai with Annamalaiyar Temple towers in the centre and hills in the background, Sri Ramana Ashram entrance, Yogi Ramsuratkumar Ashram, Great Chariot, view of Annamalai Hill from outskirts, Tiruvannamalai at night. Tiruvannamalai (Tamil: Tiruvaṇṇāmalai IPA: ˈtiɾɯʋaɳːaːmalɛi̯, otherwise spelt Thiruvannamalai; Trinomali or Trinomalee on British records) is a city, a spiritual, cultural, economic hub and also the administrative headquarters of Tiruvannamalai District in the Indian state of Tamil Nadu. The city is home to the renowned Annamalaiyar temple, Annamalai hill, Girivalam and the Karthigai Deepam festival and a prominent pilgrimage destination. Tiruvannamalai has a thriving service sector industry, including retail, resorts and recreation activities. Apart from the service sector, the city is also the hub for many industrial setups including SIDCO, spinning mills and premier educational institutions. The city is administered by the Tiruvanamalai City Municipal Corporation, originally constituted in the year 1886 as Tiruvannamalai Municipality. The city has a good network of roadways and railways connecting it with Chennai (150 km) and Bengaluru (145 km). The Union Ministry of Civil Aviation is considering setting up a new airport at Tiruvannamalai. (Full article...)

    Clockwise from top left: view of Tiruvannamalai with Annamalaiyar Temple towers in the centre and hills in the background, Sri Ramana Ashram entrance, Yogi Ramsuratkumar Ashram, Great Chariot, view of Annamalai Hill from outskirts, Tiruvannamalai at night.

    Tiruvannamalai (Tamil: Tiruvaṇṇāmalai IPA: ˈtiɾɯʋaɳːaːmalɛi̯, otherwise spelt Thiruvannamalai; Trinomali or Trinomalee on British records) is a city, a spiritual, cultural, economic hub and also the administrative headquarters of Tiruvannamalai District in the Indian state of Tamil Nadu. The city is home to the renowned Annamalaiyar temple, Annamalai hill, Girivalam and the Karthigai Deepam festival and a prominent pilgrimage destination.

    Tiruvannamalai has a thriving service sector industry, including retail, resorts and recreation activities. Apart from the service sector, the city is also the hub for many industrial setups including SIDCO, spinning mills and premier educational institutions. The city is administered by the Tiruvanamalai City Municipal Corporation, originally constituted in the year 1886 as Tiruvannamalai Municipality. The city has a good network of roadways and railways connecting it with Chennai (150 km) and Bengaluru (145 km). The Union Ministry of Civil Aviation is considering setting up a new airport at Tiruvannamalai. (Full article...)
  • Image 18 The fourth legislative assembly election of Madras State (later renamed as Tamil Nadu) was held in February 1967. The Dravida Munnetra Kazhagam (DMK) led coalition under the leadership of C.N. Annadurai won the election defeating the Indian National Congress (Congress). Anti-Hindi agitations, the rising prices of essential commodities, and a shortage of rice were the dominant issues. K. Kamaraj's resignation as the Chief Minister in 1963, to concentrate on party affairs, along with persistent rumors of corruption had weakened the incumbent Congress Government. This was the first time that a non-congress party had gained a single simple majority in a state assembly in India, second time after Communist Party of India winning Kerala assembly elections in 1957 for a non-Congress party alliance to gain the majority in a state in India, and the last time that Congress held power in Tamil Nadu. It marked the beginning of Dravidian dominance in the politics of Tamil Nadu. Annadurai, who became the first non-Congress chief minister of post-independence Tamil Nadu, died in office in 1969 and V.R. Nedunchezhiyan took over as acting chief minister. Since then, except for brief months of President's rule, only Dravida Munnetra Kazhagam and its splitaway Anna Dravida Munnetra Kazhagam have formed cabinets in the State. (Full article...)

    The fourth legislative assembly election of Madras State (later renamed as Tamil Nadu) was held in February 1967. The Dravida Munnetra Kazhagam (DMK) led coalition under the leadership of C.N. Annadurai won the election defeating the Indian National Congress (Congress). Anti-Hindi agitations, the rising prices of essential commodities, and a shortage of rice were the dominant issues. K. Kamaraj's resignation as the Chief Minister in 1963, to concentrate on party affairs, along with persistent rumors of corruption had weakened the incumbent Congress Government. This was the first time that a non-congress party had gained a single simple majority in a state assembly in India, second time after Communist Party of India winning Kerala assembly elections in 1957 for a non-Congress party alliance to gain the majority in a state in India, and the last time that Congress held power in Tamil Nadu. It marked the beginning of Dravidian dominance in the politics of Tamil Nadu. Annadurai, who became the first non-Congress chief minister of post-independence Tamil Nadu, died in office in 1969 and V.R. Nedunchezhiyan took over as acting chief minister. Since then, except for brief months of President's rule, only Dravida Munnetra Kazhagam and its splitaway Anna Dravida Munnetra Kazhagam have formed cabinets in the State. (Full article...)
  • Image 19 Khasi women Multiple tribes in the state of Meghalaya in northeast India practise matrilineal descent. Often referred to as Khasi people and Garo people, among the Khasi people which is a term used as a blanket term for various subgroups in Meghalaya who have distinguishing languages, rites, ceremonies, and habits, but share an ethnic identity as Ki Hynniew Trep (The Seven Huts) whereas the Garo people refers to the various groups of Achik people. The Khasi, Garo, and other subgroups have a proud heritage, including matrilineality, although it was reported in 2004 that they were losing some of their matrilineal traits. The tribes are said to belong to one of the "largest surviving matrilineal culture[s]" in the world. (Full article...)
    Khasi women

    Multiple tribes in the state of Meghalaya in northeast India practise matrilineal descent. Often referred to as Khasi people and Garo people, among the Khasi people which is a term used as a blanket term for various subgroups in Meghalaya who have distinguishing languages, rites, ceremonies, and habits, but share an ethnic identity as Ki Hynniew Trep (The Seven Huts) whereas the Garo people refers to the various groups of Achik people. The Khasi, Garo, and other subgroups have a proud heritage, including matrilineality, although it was reported in 2004 that they were losing some of their matrilineal traits. The tribes are said to belong to one of the "largest surviving matrilineal culture[s]" in the world. (Full article...)
  • Image 20 Part of Palamu fort The Palamu Fort are two ruined forts located 3 k.m from Betla National Park, Latehar district on the bank of Auranga River, in the Indian state of Jharkhand. The old fort in the plains, which existed even before the Chero dynasty, was built by the King of Raksel dynasty. The original fort in the plains and the other on an adjoining hill are attributed to the kings of the Chero dynasty. The fort in the plains had defences on three sides and three main gates. The New fort was constructed by Raja Medini Ray. East India company used this fort to prison Narayan Peshwa of Tiroha and Raja Harsh dubey alias Subedar Aftab Singh mutineers of 1857. (Full article...)

    Part of Palamu fort

    The Palamu Fort are two ruined forts located 3 k.m from Betla National Park, Latehar district on the bank of Auranga River, in the Indian state of Jharkhand. The old fort in the plains, which existed even before the Chero dynasty, was built by the King of Raksel dynasty. The original fort in the plains and the other on an adjoining hill are attributed to the kings of the Chero dynasty. The fort in the plains had defences on three sides and three main gates. The New fort was constructed by Raja Medini Ray. East India company used this fort to prison Narayan Peshwa of Tiroha and Raja Harsh dubey alias Subedar Aftab Singh mutineers of 1857. (Full article...)
  • Image 21 Javanese shadow puppet of Kripa Kripa (Sanskrit: कृप, lit. 'pity', IAST: Kṛpa), also known as Kripacharya (Sanskrit: कृपाचार्य, IAST: Kṛpācārya), is a figure in Hindu mythology. According to the epic Mahabharata, he was a council member of Kuru Kingdom and a teacher of the Pandava and Kaurava princes. Born to warrior-sage Sharadvan and apsara Janapadi in an extraordinary manner, Kripa and his twin-sister Kripi were adopted by King Shantanu of Kuru Kingdom. Kripa was trained by his birth father and became a great archer like him. Later in the epic, he fought on the Kauravas's side against the Pandavas in the Kurukshetra war and was among the three survivors on the Kaurava side, along with Ashwatthama and Kritavarma. (Full article...)

    Javanese shadow puppet of Kripa

    Kripa (Sanskrit: कृप, lit. 'pity', IAST: Kṛpa), also known as Kripacharya (Sanskrit: कृपाचार्य, IAST: Kṛpācārya), is a figure in Hindu mythology. According to the epic Mahabharata, he was a council member of Kuru Kingdom and a teacher of the Pandava and Kaurava princes.

    Born to warrior-sage Sharadvan and apsara Janapadi in an extraordinary manner, Kripa and his twin-sister Kripi were adopted by King Shantanu of Kuru Kingdom. Kripa was trained by his birth father and became a great archer like him. Later in the epic, he fought on the Kauravas's side against the Pandavas in the Kurukshetra war and was among the three survivors on the Kaurava side, along with Ashwatthama and Kritavarma. (Full article...)
  • Image 22 Black Friday is a 2004 Indian Hindi-language crime film written and directed by Anurag Kashyap. Based on Black Friday: The True Story of the Bombay Bomb Blasts, a book by Hussain Zaidi about the 1993 Bombay bombings, it chronicles the events that led to the blasts and the subsequent police investigation. Produced by Arindam Mitra of Mid-Day, the film stars Pawan Malhotra, Kay Kay Menon, Aditya Srivastava, Kishor Kadam and Zakir Hussain. Mitra, director of operations for Mid Day, approached Kashyap with the book and wanted him to write a television series based on it for the Aaj Tak TV news channel. Kashyap wrote the script in episodes for the six-part miniseries but later felt a feature film was more appropriate for the topic. Aaj Tak backed away from the project, and it was shelved. Kashyap then suggested to the director Aditya Bhattacharya that he make it into a film. When Kashyap told him he felt there was a film to be made about the event, Bhattacharya gave it to him to direct. The film's soundtrack album and the background score were composed by the band Indian Ocean, while the lyrics were written by Piyush Mishra. Natarajan Subramaniam served as the director of photography, while Aarti Bajaj was its editor. (Full article...)
    Black Friday is a 2004 Indian Hindi-language crime film written and directed by Anurag Kashyap. Based on Black Friday: The True Story of the Bombay Bomb Blasts, a book by Hussain Zaidi about the 1993 Bombay bombings, it chronicles the events that led to the blasts and the subsequent police investigation. Produced by Arindam Mitra of Mid-Day, the film stars Pawan Malhotra, Kay Kay Menon, Aditya Srivastava, Kishor Kadam and Zakir Hussain.

    Mitra, director of operations for Mid Day, approached Kashyap with the book and wanted him to write a television series based on it for the Aaj Tak TV news channel. Kashyap wrote the script in episodes for the six-part miniseries but later felt a feature film was more appropriate for the topic. Aaj Tak backed away from the project, and it was shelved. Kashyap then suggested to the director Aditya Bhattacharya that he make it into a film. When Kashyap told him he felt there was a film to be made about the event, Bhattacharya gave it to him to direct. The film's soundtrack album and the background score were composed by the band Indian Ocean, while the lyrics were written by Piyush Mishra. Natarajan Subramaniam served as the director of photography, while Aarti Bajaj was its editor. (Full article...)
  • Image 23 N. radcliffei is known only from the Nilgiri Mountains of southern India Nyctibatrachus radcliffei, also known as Radcliffe's night frog or the Thiashola wrinkled frog, is a species of frog in the robust frog family Nyctibatrachidae. It was described in 2017, along with six other species in its genus, by the herpetologist Sonali Garg and her colleagues. A medium-sized frog for its genus, it has an adult male snout–vent length of 32.8–38.3 mm (1.29–1.51 in). It is mainly reddish-brown, with a light flesh-red coloured underside, light brown limbs, and dark grey hands and feet. When preserved in ethanol, it is mostly dark grey, with grayish-white undersides. The species is endemic to the Western Ghats of India, where it is known only from the Thiashola estate in the Nilgiri Mountains, where the specimens used to describe the species were originally collected. It is found in hill streams at elevations of around 1,920 m (6,300 ft). The species may be threatened by habitat degradation and fragmentation, but has not been assigned a conservation status by the IUCN. (Full article...)

    N. radcliffei is known only from the Nilgiri Mountains of southern India

    Nyctibatrachus radcliffei, also known as Radcliffe's night frog or the Thiashola wrinkled frog, is a species of frog in the robust frog family Nyctibatrachidae. It was described in 2017, along with six other species in its genus, by the herpetologist Sonali Garg and her colleagues. A medium-sized frog for its genus, it has an adult male snout–vent length of 32.8–38.3 mm (1.29–1.51 in). It is mainly reddish-brown, with a light flesh-red coloured underside, light brown limbs, and dark grey hands and feet. When preserved in ethanol, it is mostly dark grey, with grayish-white undersides.

    The species is endemic to the Western Ghats of India, where it is known only from the Thiashola estate in the Nilgiri Mountains, where the specimens used to describe the species were originally collected. It is found in hill streams at elevations of around 1,920 m (6,300 ft). The species may be threatened by habitat degradation and fragmentation, but has not been assigned a conservation status by the IUCN. (Full article...)
  • Image 24 View of the fort complex and bridge The Orchha Fort complex, which houses a large number of ancient monuments consisting of the fort, palaces, temple, and other edifices, is located in the Orchha town in the Indian state of Madhya Pradesh. The fort and other structures within it were built by the Bundela Rajputs starting from the early 16th century by King Rudra Pratap Singh of the Orchha State and others who followed him. The fort complex, which is accessed from an arched causeway, leads to a large gateway. This is followed by a large quadrangular open yard surrounded by palaces. These are Raja Mahal or Raja Mandir, Sheesh Mahal, Jahangir Mahal, a temple, gardens and pavilions. The battlements of the fort have ornamentation. Notable architectural features in the fort complex are projecting balconies, open flat areas and decorated latticed windows. (Full article...)

    View of the fort complex and bridge

    The Orchha Fort complex, which houses a large number of ancient monuments consisting of the fort, palaces, temple, and other edifices, is located in the Orchha town in the Indian state of Madhya Pradesh. The fort and other structures within it were built by the Bundela Rajputs starting from the early 16th century by King Rudra Pratap Singh of the Orchha State and others who followed him.

    The fort complex, which is accessed from an arched causeway, leads to a large gateway. This is followed by a large quadrangular open yard surrounded by palaces. These are Raja Mahal or Raja Mandir, Sheesh Mahal, Jahangir Mahal, a temple, gardens and pavilions. The battlements of the fort have ornamentation. Notable architectural features in the fort complex are projecting balconies, open flat areas and decorated latticed windows. (Full article...)
  • Image 25 Siva (also spelt Shiva) is a 1989 Indian Telugu-language crime action film directed by Ram Gopal Varma and produced by Akkineni Venkat and Yarlagadda Surendra under Annapurna Studios and SS Creations. The film, which marks the directorial debut of Ram Gopal Varma, explores the concepts of student exploitation by anti-social elements and the impact of crowd psychology. Varma's script was based on his experiences as a student at Siddhartha Engineering College in Vijayawada. Tanikella Bharani wrote the dialogues. Ilaiyaraaja composed the soundtrack and score, while S. Gopala Reddy was its cinematographer. Thota Tharani and Sattibabu were the art director and editor respectively. The principal photography began on 16 February 1989, and was completed in 55 working days. Except for three days of shooting in Madras (now Chennai), Siva was filmed in Andhra Pradesh. (Full article...)
    Siva (also spelt Shiva) is a 1989 Indian Telugu-language crime action film directed by Ram Gopal Varma and produced by Akkineni Venkat and Yarlagadda Surendra under Annapurna Studios and SS Creations. The film, which marks the directorial debut of Ram Gopal Varma, explores the concepts of student exploitation by anti-social elements and the impact of crowd psychology.

    Varma's script was based on his experiences as a student at Siddhartha Engineering College in Vijayawada. Tanikella Bharani wrote the dialogues. Ilaiyaraaja composed the soundtrack and score, while S. Gopala Reddy was its cinematographer. Thota Tharani and Sattibabu were the art director and editor respectively. The principal photography began on 16 February 1989, and was completed in 55 working days. Except for three days of shooting in Madras (now Chennai), Siva was filmed in Andhra Pradesh. (Full article...)
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9 March 2025 –
In international cricket, India wins the 2025 ICC Champions Trophy by defeating New Zealand in the final. (AP)
7 March 2025 – 2025 United States federal mass layoffs
The Native American Rights Fund, on behalf of five Indigenous American students and three tribes, the Cheyenne and Arapaho Tribes, the Prairie Band Potawatomi Nation, and the Pueblo of Isleta, file a lawsuit against the United States Department of the Interior and the Bureau of Indian Education (BIE) for alleged wrongful dismissals of BIE schoolteachers. (AP)
28 February 2025 – 2024–25 South-West Indian Ocean cyclone season
Three people are killed as tropical cyclone Garance makes landfall in Réunion in the Indian Ocean. (AP)
25 February 2025 – 2025 Thiruvananthapuram mass murder
A man brutally beat ( five people, including his brother, girlfriend, to death with a hammer in Thiruvananthapuram, Kerala, South India. gulfnews Economic Times
23 February 2025 –
American Airlines Flight 292, flying from New York, United States, to New Delhi, India, is forced to divert to Rome Fiumicino Airport in Rome, Italy, due to an unspecified security concern later deemed to be non-credible. The flight was over the Caspian Sea near Turkmenistan when it diverted back towards Europe. (AP)

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